This was a spectacular  saxophone quintet.  Zorn was the 5th.  I didn't  know the other 4, I believe they were all Bay Area folks.  It was  stellar.  There were some people in the room who didn't realize they  were going to an avant garde show and didn't like it.  Some of them  left.  Some of them, much to my dismay, chose to have conversations  during the set.  There weren't many of these, but they all seemed to be  sitting near me.  I would say 70% of the room did know this was a  possibility and seemed to enjoy themselves.
I loved it.  There  were a couple of little straight saxophones.  I kept asking around to  find out what they were, but no luck.  One guy played a baritone sax and  that little baby one.  One guy had the baby and an alto.  Zorn had his  alto of course.  I can't remember the other's instruments but it was all  wonderful.
Listing:
On Saturday, August 28 Zorn teams with ROVA Saxophone Quartet,  the Bay Area's stalwart improvisors.  ROVA has been at the forefront of  experimental music since forming in San Francisco over 30 years ago. The  Quartet (made up of Bruce Ackley, Steve Adams, Larry Ochs and JonRaskin) have been frequent collaborators of Zorn. 
From website:
 http://www.rova.org/
 For over a quarter of a century, the Rova Saxophone Quartet  has been acclaimed and widely recognized for its vital role in extending  the horizons of          today’s genre-bending music. With its potent mix of  compositional creativity and stellar musicianship, Rova explores the  synthesis of composition and          collective improvisation in ways that challenge, excite and  inspire. Positioning itself in a dynamic musical nexus, Rova has become  an important leader in          the music movement that has its roots in post-bop, free jazz,  avant-rock, and 20th century new music as well as drawing inspiration  from traditional and popular styles of Africa, Asia, Europe and the  United States.          
In noting Rova's role in innovatively developing the  all-saxophone ensemble as "a regular and conceptually wide-ranging  unit," The Penguin Guide to Jazz calls its music "a teeming cosmos of  saxophone sounds" created by "deliberately eschewing conventional  notions about swing [and] prodding at the boundaries of sound and  space..." Likewise Jazz: The Rough Guide notes, "Highly inventive,  eclectic and willing to experiment, Rova [is] arguably the most exciting  of the saxophone quartets to emerge in the format's late '70s boom."
Inspired by a broad spectrum of musical influences - from  Charles Ives, Edgard Varese, Olivier Messiaen, Iannis Xenakis and Morton  Feldman to The Art Ensemble of Chicago, John Coltrane, Anthony Braxton,  Steve Lacy, Cecil Taylor, Sun Ra and Ornette Coleman -          Rova began, in 1978, writing new material, touring, and  recording, including adventurous collaborations  with such like-minded  colleagues as guitarists Henry Kaiser and Fred Frith, saxophonist John  Zorn, and Italian percussionist Andrea Centazzo.
In its early years, Rova also shared the stage in collaborations  with fellow trailblazers Kronos Quartet and Margaret Jenkins Dance  Company. A 1983 tour of the USSR and accompanying PBS documentary  highlighted the first five years of Rova’s existence. In 1985, the Rova  Saxophone Quartet incorporated as the not-for-profit organization  Rova:Arts. Founding member Andrew Voigt left Rova in August 1988 and was  replaced by Steve Adams. Otherwise, the personnel (Larry Ochs, Jon  Raskin and Bruce Ackley) has remained the same throughout these 30-plus  years, giving the group a consistency and sensitivity that has enabled  its ever-evolving and highly nuanced explorations into new musical  territory.
Subscribe to:
Post Comments (Atom)
 
No comments:
Post a Comment