Monday, June 29, 2009

Radical Amazement @ The Stone 6/24/09

I was drawn to this due to the time, venue, and the names on the listing all looked foreign. I figured it was some kind of World music from some culture. I hadn't paid enough attention to notice it was a radical Jewish music project. I love those! Ok, I love almost any kind of cultural-inspired music.

We got a nice program booklet. The project uses Yiddish poetry of Abraham Joshua Heschel and compositions of Basya Schechter. The program also provided us with the English translation of the poems.

Baysa sang and played guitar and oud. The musicians were great. I loved the trumpet and the strings and the percussion. The percussionist has some very interesting instruments. A lot of them are things I've never seen before. Every time I looked at him, he was playing something completely different. He also had a doubek, floor tom, and other familiar things.

It was a great one hour set. They had just finished recording and were in good form for the performance.

Basya's Schecter's Heschel Project
Basya Schecter (oud, guitar, voice) Uri Sharlin (piano, accordion) Megan Weeder (violin) Yoed Nir (cello) Rich Stein (percussion) Frank London (trumpet)
Yiddish poetry of Abraham Joshua Heschel set to music

Marty Erlich/Ray Anderson Quartet @ The Stone 6/23/09

I love this band. I don't think I've known about them, but it was awesome. They were just coming off a European tour. I was debating about going out, and I love anything Marty Erlich is in. What pushed me over to the "yes" was seeing that Brad Jones would be playing bass. You can never get enough Brad Jones!

What is very interesting is that I was most enthralled with Matt Wilson on the drums. It may have had something to do with proximity, I was sitting in "the other front row" and could see him the best. I could see everyone except Ray pretty well, though. So I'm sure it was more than just proximity. He just had the house kit and a cowbell. There was something about all the different ways he was playing it that had me. I did have plenty of opportunities to listen and watch the others, and they were all amazing. This is a very talented quartet. Of course that's what I expected.



Friday, June 26, 2009

Himalayas @ Zeb 6/21/09

There was so much to choose from. But, there was no question when I saw there was some kind of Kenny Wollesen thing going on at Zebulon. It turned out to be a very magical evening with great music and the right audience.

I missed the marching band part. Apparently they marched around Williamsburg, through a beer garden, and ended up under scaffolding after it started raining. It sounded great.

I did get the middle set band, Ladybug. It was OK for a bit, just not my thing. I'm not that into vocals. I did like the concept. It was a female singer playing electric keyboards with a drummer playing the bass line with one hand on a keyboard. It was grooving and I did dance a little, so I was feeling it to an extent. It just felt kind of generic after a while. It certainly wasn't painful to listen to.

Then came 2 spectacular sets of greatness. It started off with everyone playing these small hand-held wooden percussion things. They each had one in each hand and they made sound by shaking them. After a while they would each stop and gradually pick up their instrument and start playing that.

There was a portion during the first set when it was particularly grooving that some people came out to the "dance floor" in between the band and the tables. That was my cue to get up there as well. They were there for a good portion of the piece, but then they had to leave. I asked them to stay, but they ignored me. I then went back to my spot at the bar and at some point realized I had plenty of room to dance as it cleared out a bit.

Tony Scherr was awesome on guitar. He really had me at points. Kenny played a steel drum a lot as well as some other stuff. There were 2 drummers in the back, just going to town. There was of course his usual percussionist, Jennifer. If you've seen any Kenny project, you've seen her. She's always awesome. She had her own steel drum and really had me going at one point during the 2nd set.

There were a variety of saxophones including bass, baritone, 2 tenors, and 2 altos. 2 drummers, one sitting at a full kit, one sitting at a partial kit. The percussionist Jennifer, Kenny, and a woman with a very cool percussion assemblage she carried with a strap on her neck. It was so cool and had many awesome sounds. Then we had Tony and and another guy on guitar. Tony left after the 1st set so I got more about the other guy's greatness the 2nd set.

The last piece (2 pieces?) Sounded a lot like "Amazing Grace" and then one that sounded like "I'll Fly Away". I thought this reminded me of a jazz funeral even though I've never been to one. I found out later it was the same song first played in a mellow version and then in a grooving version. I find that very interesting and I need to explore this NOLA funeral thing a little more.

They were probably going to end the 1st set right then, but after they ended the piece(s), Kenny commented how quiet we all were and asked if he could experiment with us. I was all for that! He had us all do various things like rub our hands together or quickly stomp our feet or play our jaws, etc. It was quiet and fun. It also got me to appreciate the audience. There would be a little talking from time to time, but overall everyone was there for the phenomenal music.
Then it was time for setbreak. Tony left, but everyone else stayed.

I was even more into the 2nd set, which I didn't think was possible. Actually, Kenny handed out these interesting instruments to each and every one of us in the crowd. It was a small cup attached to a string attached to a stick. We all shook the stick in such a way that the cup spun around and it made a really cool sound. It sounded cool no matter how many were doing it. Everyone was doing it for a long time at first, but it did get tiring so people would drift in and out with it after a while. There was another portion where everyone knew it was good to have lots of people doing it, and we just kind of naturally picked it up again. I did it as much as I could, but I was definitely more interested in dancing, so that took priority at times.

There was a female singer who joined them for one. We kept up our crowd instruments for some of that. It was awesome. She's a good singer and it was only one and the band still shined so I was fine with it.

For the last piece, a guy joined them with 3 djembes. Now we're talking! As if I didn't have enough greatness already! I love more drums. Both big drum solos in both sets were off the hook!

It ended at around 1am. The djembe guy had just gotten there and clearly wanted everyone to continue. He was still trying when I left. I assume he wasn't successful, but you never know. It was a wonderful way to end the weekend and well worth the additional tiredness I'm experiencing this week. This is definitely one of my very favorite shows ever.

Tuesday, June 23, 2009

Dave Douglas & Brass Ecstasy @ Jazz Standard 7/20/09

It was great. I love how it's all horns and one of my favorite drummers. REALLY brass, no reeds. The music is really awesome and captivating. I was a little disappointed when he told people to ignore the directive to "keep your conversations to a minimum". He told them to have fun. All I can say is you can have fun by listening to the music and not talking to your friend for 1 hour.

Regardless it was awesome and there wasn't too much talking.


Thursday - Sunday, June 18 - 21
* Dave Douglas – trumpet
* Vincent Chancey – french horn
* Luis Bonilla – trombone
* Marcus Rojas – tuba
* Nasheet Waits – drums

Improv Night @ The Stone 6/20/09

I went to the 2nd set. We were told at the door no John Zorn, but that isn't a show-stopper for me. I do like it when he's there, but its usually awesome regardless. It is too bad he sprained his ankle and is stuck at home because he lives on the 5th floor.

The setup was quite interesting, and I was very intrigued. No drumkit, but the piano was out there was a pie plate on it. That got me interested and curious. I got there early so I could get a good seat. I then heard the door guy telling people Chris Speed and Ned Rothenberg are there and I got very excited. Then I see Eyal Maoz come in and get more excited. I will be sitting next to him, so I got out my earplugs for easy access. Then I see Annie Gosfield come up and I'm REALLY psyched. It does look like there was a drumkit for the 1st set because the rug is up there, but with nothing on it.

This night was a big winner. It was nice to have less artists than usual.

The 1st piece was a guitar duo. Eyal Maoz and Yoshie Fruchter, sitting right by me. Yoshie was next to and a little in front of me and Eyal was angled next to him, kind of like the 2 of them and the girl next to me are sitting in a circle. I think I've seen Yoshi before, but I'm not quite sure. He was great. There were moments where I thought his guitar sounded more like a cello. I'm not quite sure how he was doing it. He had an interesting tool that looked like 3 long screws attached together at one end to a round thing. He would sometimes play the strings with it, making some interesting and wonderful sounds. Eyal was doing something similar with his fingers playing the strings. This was a great piece and a great way to start it off.

It was nice to follow the guitar duo with a sax duo. Chris Speed on tenor and Ned Rothenberg on alto. I probably don't have to tell you how stellar that was.

Keeping with the theme, we then get a keyboard duo, if you consider the beautiful grand piano a keyboard. Dan Kelly and Annie Gosfield. Kelly does some interesting playing of the piano strings using pie tins. It was a very nice vibrating sound when he left a pie tin on the strings and played the keys - it was similar to a drone. It was nice to have all the great electric sounds coming from Annie. They sounded great together.

Next up was a trio. Annie stayed up and was joined by Chris Speed and Yoshie on guitar. There's always one I can't remember that well, and this is the one this show. I must have enjoyed it.

Then I was happy to see Ned Rothenberg come out with his bass clarinet. He was joined by Eyal Maoz and Dan Kelly. That was great. Ned's awesome on all of his instruments, but my absolute favorite is when he plays bass clarinet.

After that it was time for the grand finale with everyone. Ned stayed with the bass clarinet. It was very nice to have just 6 artists. It was well done. Once they finished the piece, they gave us another short piece.

It was awesome!

6/20 Saturday (MB)
8 and 10 pm
JOHN ZORN IMPROV NIGHT—A Stone Benefit
John Zorn (sax) Ned Rothenberg (sax) Dan Kelly (piano) Annie Gosfield (keyboards) Eyal Maoz (guitar) Yoshie Fruchter (guitar) Dougie Bowne (drums) and many special guests
TWENTY DOLLARS

Saturday, June 20, 2009

Don Byron's Swift Boat @ The Stone 6/19/09

This was a great 1 hour and 40 min set at The Stone. They each caught me at different moments. I love Don Byron's clarinet and tenor. He's very talented. Ben Wittman had a bunch of cowbells attached in various areas of his kit. He was really great and I had a bunch of "aha" moments with him. Kermit had me really paying attention at parts. He's pretty unique while playing more straight ahead type music (sort of). I enjoyed Ralph in this. At first I was wondering what he was doing there, he's VERY straight ahead. Soon after, I was wondering how they could do it without him.

It was such a treat to get this ensemble in such an intimate setting. It's part of why I love the place so much. I'm so happy they gave us so much music in that one set.


Don Byron's Swift Boat
Don Byron (clarinet, tenor sax) Ralph Alessi (trumpet) Kermit Driscoll (bass) Ben Wittman (drums)

Friday, June 19, 2009

Jim Black's AlasNoAxis @ BPC 6/18/09

I had a crazy workweek, so I didn't get to much yet. But, if you are only going to get one weekday show, this is a damn good one to get. I didn't know about them, but this is their first tour or any kind of playing in 3 years. That's just too long. Jim Black is incredible. The other guys are amazing as well. Although, being a drum addict, they tended to serve as amazing background music for me. When I did focus on them, they really impressed me.

There was one part toward the end of the 1st set where the guitar was especially interesting. He was interesting all night, but this part might be described as Middle Eastern or Pink Floydish. It was great whatever it was. There was another part where he was playing with a bow.

This was an incredible show with an incredible band. The first set was about 50 min and the 2nd was about 30 min and then an encore. The new cd is called "Houseplant", so they had a bunch of houseplants they were giving up for adoption. That was cute. They already sold out of the CDs they had, so he had to buy some from Downtown Music Gallery to resell at the gig. I like it - got to support DMG.

SearchandRestore.com Presents: Jim Black's AlasNoAxis CD Release Show $14/$10 with student ID
Featuring Chris Speed - tenor sax
Hilmar Jensson - guitars
Skuli Sverrisson - electric bass
Jim Black - drums & laptop.
http://www.jimblack.com/
http://www.searchandrestore.com