It was listed as a quartet, but then there was a percussion station set
up. Sure. I enough, a percussionist joined them on many songs. Just seeing the
personnel you know it was fantastic. Chris played tenor, soprano and
bass clarinet. Adam had many awesome solos. Ben Street was great. You
know I love a drummer led band, especially with a percussionist. There were many aha drum moments.
The Listing:
More than two decades ago, Clarence Penn arrived in NYC from his
native Detroit to join Betty Carter’s band. Several years of touring and
recording with the great jazz diva made him a seasoned first–call
sideman, ready to play with groups variously led by Stanley Clarke,
Christian McBride, Michael Brecker, Dizzy Gillespie, Luciana Souza, Gary
Burton, Joshua Redman, Gonzalo Rubalcaba, Charlie Haden, and Maria
Schneider. He released three excellent albums as a leader, beginning
with Penn’s Landing (Criss Cross, 1997). Now comes Clarence Penn’s long–awaited new CD, Dali in Cobble Hill –
a meditation on how the iconic Surrealist painter Salvador Dali might
have digested a stroll through Penn’s Brooklyn neighborhood. The eight
originals and two standards incorporate a variety of moods, flavors, and
strategies that reflect Penn's extensive activity as a sideman for
modern music’s best-and-brightest over the past decades; his ensemble of
grandmaster generational contemporaries – Chris Potter on tenor
saxophone and bass clarinet, Adam Rogers on guitar, and Ben Street on
bass – inhabit the stories, playing with deep imagination and virtuosic
craft.
Chris Potter – tenor saxophone, bass clarinet
Adam Rogers – guitar
Ben Street – bass
Clarence Penn – drums
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